14 February 2025
In the buzzing landscape of Bollywood's historical dramas, Vicky Kaushal makes a distinct mark in 'Chhaava', portraying the fierce and complex life of Chhatrapati Sambhaji Maharaj. This film, directed by Laxman Utekar, chronicles Sambhaji’s battles and personal tribulations as the son of the legendary Shivaji Maharaj. Kaushal delivers a performance that’s both intense and memorable, with many noting his physical dedication to the role as particularly striking.
While Kaushal is widely applauded, the film's reception is more varied. Its execution, characterized by loud and violent sequences, has critics torn. Some liken the film's intense scenes to torture porn, making comparisons to 'The Passion of Christ' for its graphic nature. This might not sit well with every viewer, as the savage intensity sometimes overshadows the narrative, turning a potential epic into an exhausting spectacle for some.
The supporting cast adds layers to the narrative but not without mixed reactions. Akshaye Khanna's portrayal of Aurangzeb is notable, yet Rashmika Mandanna's role as Sambhaji’s wife leaves some critics wishing for more depth. Her character feels underdeveloped, particularly when weighed against the film's sprawling storyline and historical richness.
A saving grace within the turmoil of opinions is AR Rahman's score, which captivates and engages viewers. However, even Rahman’s genius isn't immune to criticism; some moments of the background score jar with the period setting, pulling audiences briefly out of the immersion.
Technically, the film dazzles with its battle choreography, considered a high point and possibly some of the best seen in Indian cinema. These scenes are crafted with precision, but the movie’s overarching pacing and a few historical inaccuracies hold it back.
Despite polarizing opinions, 'Chhaava' didn’t fare too badly at the box office, raking in a decent Rs 25 crore on its first day. However, whether it can maintain momentum is uncertain. The combination of its lengthy runtime and visceral, sometimes overwhelming content may not appeal to everyone in the broader audience.
